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There are no definitive right and wrong answers when it comes to interpreting a dance (or any artwork). The choreographer may have had certain ideas he wanted to communicate, but once the dance is out in the public domain, it belongs to the viewer who may read something different into it. So the interpretation offered here is only a guide. As long as you can justify your position by reference to elements in the stage text, other interpretations may be equally valid.

Charge is supported by

Warwick Arts Centre, Rothschild Foundation, Ernest Cook Trust, Tipping Point, Stories of Change

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First Utility

Motionhouse is supported by

Warwick DC, Lottery Funded, Arts Council England, Vitsoe, John Ellerman Foundation