Crashes of thunder and flashes of lightning accompany the male dancer’s descent from the roof. He drops in stages, tangled in the silks that are being wildly swung from side to side by two men (is this the mad scientist Frankenstein and his laboratory assistant?) and collapses to the floor, as though lifeless. The electrical storm ties together two story threads; one historical (Galvani’s frogs), one fictional (Shelley’s Frankenstein): it was by funneling the electricity from an electrical storm into his laboratory that Galvani realized the nerves in his frog specimens were contracting in response to electrical impulses; and it was by harnessing the electricity from a lightning storm that Mary Shelley’s scientist brings his monster to life.
The exhilarating swinging jumps of the female dancers, propelled through the air on the silks, conjure several ideas: first, they resemble flashes of lightning; second, they look as though they have been struck by lightning (a strike causes all the muscles in the body to contract at once, throwing a body violently into the air); and thirdly, the wildness of their flight suggests unnatural forces are at work: they could be witches casting electrical spells to wake the dead.